Booking & Artist Representation
Representation for a small, deliberately chosen roster — DJs, MCs, producers and hosts working UK clubs, festivals, radio and international circuits. Direct contact, no layers.
01 — The Roster
Available for booking
DJ · Vocalist · Producer — International
A club DJ in the truest sense — Oba H understands clubland and knows clubbers, and builds a room accordingly. He works as vocalist and producer as well as behind the decks, which means he can front a night rather than simply play it.
He operates internationally, with work spanning Toronto, New York, London, Dubai and Muscat, under his own Obah Entertainment banner — Original Bold Authentic.
Territories: Toronto · New York · London · Dubai · Muscat
[Placeholder — awaiting her logo and press photos. Nothing found online under this name, so these need to come from her directly.]
Available for booking
DJ · Radio Presenter — Nottingham, UK
Nottingham selector with a transatlantic record — she has played clubs across New Jersey, Connecticut and New York, bringing that crate knowledge back to the UK circuit.
She holds down a weekly drive-time radio show on Kemet FM in Nottingham, Mondays 4pm–7pm, and joins the roster as resident DJ for the Everyting Shiny club night at The Bridge in Digbeth, Birmingham.
Residency: Everyting Shiny — The Bridge, Digbeth, Birmingham · 22 August 2026
Radio: Kemet FM 97.5, Nottingham — drive time, Mondays 4–7pm
[Photo is only 300×300 — ask Juice for a hi-res original when you get a chance.]
Available for booking
MC · Host & Compere · Workshop Leader — Birmingham, UK
Long acknowledged as one of the finest MCs the UK has ever produced. A founding Big Dada artist, one half of New Flesh and frontman of Gamma, with a defiant staccato delivery and a lyrical style that excels both inside and roundabout the beat.
His "Ghetto Grammer" freestyle sessions nurtured a generation including Ty, Skinnyman and MPHO. As Ninja Tune's regular compere he toured with Coldcut across Russia, China, Japan, Korea, Thailand, New Zealand and Ukraine — and he directs Birmingham's B-Side Hip Hop Festival.
Selected releases: Jerusalaam Come (2009, Big Dada) · Voodu Starchild (2017) · Everyting Shiny EP (2026, Shadowless Productions)
Available for booking
Producer · MC · DJ — Birmingham, UK
The producer behind the "skank-funk" sound — dub, reggae, bass and hip hop welded into something heavy and hypnotic, drawing on the Caribbean-electronic lineage of Lee "Scratch" Perry and Mad Professor while pushing into contemporary bass territory.
One quarter of Gamma and the primary producer behind Juice Aleem's Jerusalaam Come. Now stepping forward as an artist in his own right under the Shadowless Productions banner with "Times Up (Pt. 2)" featuring MKD.
Selected releases: Times Up (Pt. 2) ft. MKD (2026) · Dare the Devil · Blood Sucker Money · Style & Pattern
02 — What We Do
01
Festivals, clubs, venues and cultural programmes across the UK and internationally. Solo sets, full live band configurations, DJ sets and hosting. [Add territories covered and typical lead times.]
02
Press packs, release campaigns and radio servicing — built and run in-house rather than farmed out, so the story stays the artist's own. [Add recent campaign results if you want proof points.]
03
Hip hop education, creative writing and performance workshops for schools, colleges and community programmes. Delivered nationally and internationally. [Confirm which artists offer this and at what scale.]
03 — For Artists
Conway Alphonso works alongside Muuzbox — a digital jukebox platform installed in venues and supplied to clients internationally. Roster artists get their records placed on it directly.
That's the part most agencies can't offer. Not another link on another streaming profile waiting to be found, but your track playing on a real system, in a real room, in front of a crowd.
Your tracks programmed into the selections that run across the venues Muuzbox supplies.
On the digital jukebox itself, where guests browse the library and request what they want to hear next.
Guests interact through their phones while they listen — so a record gets found where people are already dancing to it.
Placement sits alongside the booking and press work, not instead of it. [Add reach figures here once the 22 venue installations are live — deliberately left out rather than quoting projections.]
04 — Contact
For booking enquiries, availability, fees and riders — go direct. Include the date, venue, city and capacity if you have them, and you'll get a straight answer quickly.
conway.alphonso@conwayalphonso.com